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Scene 1 of a film made in ACT 3: a windsurfer races the coast beside a butterfly while an alien ship hovers over the water behind him
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AI Minidramas Hook. Cliffhanger. Next episode.

  • Chat to AI Filmmaker
  • The same lead in every episode
  • AI Storyboarding
  • Sets & locations you keep
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Your script 1.

EXT. SANDY COASTLINE, OPEN WATER - MIDDAY

A windsurfer races the coast, eyes on a butterfly. Behind him, an alien ship hovers over the water.

WINDSURFER

Hello, little friend.

Scene 1 is filmed

AI chatAI filmmaker
Ep. 1 cold open is cut: the windsurfer meets the butterfly. Notes?
Hook harder. Golden hour, so the water glows.
Locked for ep. 1: scene 1 at golden hour, the water glowing. Same ride, same butterfly.✓ Scene 1 re-shot. Your script is untouched.
Ask your AI filmmaker...
Post
Your AI crew member, the AI filmmaker in a beret
AI Cinematographer

02 · Video promptv1v2

Sunny coast, windsurfer sails past the dunes, a small blue butterfly at his face, an alien ship hovers low behind him, golden hour, warm low sun, glints on the water

03 · ImageNano Banana Pro
04 · VideoSeedance 2.5
05 · Status Scene 1 · Finished Finished Scene 1 of 7

Chat with AI Filmmaker: Change background, same actor. One sentence.

Character Consistency: different scene, different outfit, same face.

Pick your digital actor once. ACT 3 carries Alex into every scene of your minidrama: a jet ski in scene 7, a blizzard in scene 88, a candle-lit library in scene 2. You never describe her again. You’re a creative, not a prompt engineer.

Alex, the chosen digital actor: a studio reference portrait of a woman with short copper hair in a plain gray T-shirtALEXYour digital actor

Scene 7: Alex on a jet ski, hands on the handlebars, spray flying over the oceanScene 7Open ocean
Scene 88: the same Alex in a fur-lined parka on a blizzard mountain passScene 88Mountain pass
Scene 2: the same Alex in a black dress in a candle-lit libraryScene 2Library
Scene 41: the same Alex running through a desert market at golden hourScene 41Desert market

Set & Location Consistency: move the camera, the room stays the room.

Build the captain’s flight deck once. Put a camera behind the pilot or across the deck by the windows, and every shot sees the same consoles, the same light, the same crew standing where they belong.

The roofless 3D set of a spaceship flight deck seen from about twelve feet up: consoles, five crew at their stations and a sliding door at the backFLIGHT DECKOne roofless 3D set

Eye-level frame on the flight deck, looking back toward the sliding door: the pilot on the left, the captain on the rightScene 12 · Camera A
Eye-level frame from the opposite side of the same deck, facing the front windows: the engineer on the left, the navigator on the rightScene 64 · Camera B

Outfit Consistency: new adventure, same costume, stitch for stitch.

Design the pirate’s costume once: the red coat, the sash, the buckles, the hat. Ride the subway in scene 4, wade a jungle river in scene 61, cross a snowy village in scene 97. It’s the same outfit every time, and you never repeat yourself.

The pirate costume reference: a man in a long red coat, sash, boots and tricorn hat, standing full length on a gray seamless backdropPIRATE COSTUMEThe reference look

Scene 4: the pirate in full costume standing in a subway carScene 4Subway car
Scene 61: the same pirate, same coat and hat, wading a jungle river below a waterfallScene 61Jungle river
Scene 97: the same pirate in the same costume walking through a snowy village at nightScene 97Winter village
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Storyboards for your entire minidrama

Created by our AI Storyboard Expert and AI Cinematographer. Every shot gets its panel.

  • Minidrama
  • Movie
  • TV episode
  • Ad
  • Social video
  • Marketing video
The real ACT 3 storyboard screen: twelve timed storyboard panels for Beat 9, Scene 11 of the project Harbor Street, with the acts, beats, scenes and shots rails above and the AI filmmaker chat on the right
The real ACT 3 storyboard screen.

A set is a place you keep. Not a picture you got once.

Each of these was described one time. The wide picture is the set. Under it, two cameras standing inside it. Pick a set, move the camera, come back to it every episode.

The whole set, seen from above with its roof off
The set
Camera 1, standing inside the same set
Camera 1
Camera 2, standing in another spot inside the same set
Camera 2

With voice actors. Without. Or both in the same scene.

Every character keeps one voice from the first episode to the last. Cast it from the voice directory and there is no session to book. Hand the part to a voice actor and their takes land right in the shot. Decide role by role.

Margie, the waitress in the diner film, in the middle of a line.

Without a session

Margie a voice cast from the directory

  • You pick her voice once. It is hers in every episode.
  • Nothing to book and no studio day on the budget.
  • Rewrite her line and it is spoken again, in the same voice.
One shot from the diner film: Walt in his booth in the foreground, Margie behind the counter under a pink neon coffee cup. Margie cast voice Walt voice actor

MargieKitchen closed an hour ago. I can still do pie.

WaltThen I’ll have the pie. And the hour back.

One scene, two characters, two ways to speak. In the cut it is simply their scene.
A voice actor in headphones performs Walt's line at a microphone in his home booth, with Walt's shot on the monitor beside him.

With a voice actor

Walt performed by your voice actor

  • He records from home, on his own page in your project.
  • Your direction travels with every line.
  • Each take lands in its shot, with the lips matched.
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Our secret to saving money

We get the shot right before you pay for the video.

  1. Pencil storyboard panel: a young woman with a coffee at a bus stop, a school bus coming down the street.
    StoryboardDecided in pencil. Change anything.
  2. The same shot as a finished first frame: Nora with her coffee at sunrise, the yellow school bus in the mist.
    First frameApproved by you, for the cost of a still.
  3. Video, take 1The expensive step. It starts from the frame you approved.

Fewer takes to top quality.

When you do generate video, it is already the shot you wanted. That saves you money and time.

Three people. Three time zones. One series that keeps moving.

Your production designer, your director and your costume designer all work inside the same ACT 3 project, in the same hours or one after another. Nobody waits for a file. Nobody works on an old copy.

Full access controls

  • Owner everything, including billing
  • Admin people and permissions
  • Member edit, run AI, use credits, as you allow
  • Reviewer watches, never changes

  1. Production designerMorning, his time · Member

    A production designer in tortoise-shell glasses works in his sunlit attic studio in the morning. His screen shows an empty spaceship bridge set: cream consoles, amber lights and two empty seats.

    I'm working on Act 1 and a reusable set.

    Organized by shot, set or character. Whoever logs on next knows exactly where everything is, and picks up right where the last person left off.

  2. DirectorLate night, her time · Owner

    A director with a short black bob works at a lamp-lit desk at night, city lights behind her. Her screen shows the film's last scene: an astronaut on a red planet at sunrise.

    I'm working on Act 3.

    Far faster, together. While one time zone sleeps, another is at work. Movies and series get done far faster when the whole team works together.

  3. Costume designerAfternoon, her time · Member

    A costume designer with long gray locs and a yellow scarf smiles in her sunny studio. Her screen shows the film's astronaut in three outfits: an orange flight suit, a cream dress uniform and an olive jacket.

    I'm working on multiple outfits for different episodes.

    Perfect for remote teams. Voice actors included: they record from home, inside the same project as everyone else.